Linkin Park are an American Rock, Metal and Rap band formed in 1996. They have 4 studio albums, and are best known for adapting and reinventing the nu and alternative rock and metal genres. Their most recent album A Thousand Suns (released in 2009) has sold over 50 million copies, and they are the sixth most popular band in the world.
The song’s genre is alternative/industrial rock because of the use of the heavy electric guitars, drum and bass along with electronic noise creators such as synthesizers. I also know this because it is based upon the Transformers films which are about robots and heavy machinery; so the song is keeping to the genre of the film. The music video itself is also keeping to this genre because they repeatedly use thermal imaging cameras, computer graphics and elaborate shots to create this very modern but industry-looking video. Using the Mise-en-scene we can also establish the genre of this video: the live action was shot in one of the film’s sets, with these giant robots silhouetted in darkness and towering over the humans, along with these bright blue lights shining through their skeletons onto each musician. This demonic set can relate back to the genres of stereotype rock and metal, so without sound you can still clearly see what type of genre the song and video are.
Audience
The target audience for
The target audience for this specific song and music video are children, teenagers and adults aged between 12-25. This is because the song was created for the Transformers sequel, a 12 age rated film based on a toy brand, so young children have to be taken into consideration. This is why the song doesn’t contain any bad language or swearing (unlike some of their rap songs), but keeps to themes such as heroic deeds, defeating evil and accomplishing great things.
However, it also targets older male teenagers and adults, because throughout the video there is a woman shown in the thermal-imaging camera, singing, dancing along and showing her curves to the screen. This can link to Laura Mulvey’s ‘Male Gaze’ Theory where this video has specifically put the viewer as a male man, showing a gender imbalance between the sexes (men are the viewers, women are the viewed).
Lyrics
Verse
I remembered black skies, the lightning all around me
I remembered each flash as time began to blur
Like a startling sign that fate had finally found me
And your voice was all I heard that I get what I deserve
Chorus
So give me reason to prove me wrong, to wash this memory clean
Let the floods cross the distance in your eyes
Give me reason to fill this hole, connect the space between
Let it be enough to reach the truth that lies across this new divide
Verse II
There was nothing in sight but memories left abandoned
There was nowhere to hide, the ashes fell like snow
And the ground caved in between where we were standing
And your voice was all I heard that I get what I deserve
Chorus
So give me reason to prove me wrong, to wash this memory clean
Let the floods cross the distance in your eyes across this new divide
Break- instrumental
Verse
In every loss, in every lie, in every truth that you'd deny
And each regret and each goodbye was a mistake too great to hide
And your voice was all I heard that I get what I deserve
Chorus
So give me reason to prove me wrong, to wash this memory clean
Let the floods cross the distance in your eyes
Give me reason to fill this hole, connect the space between
Let it be enough to reach the truth that lies across this new divide
Across this new divide, across this new divide
The lyrics of this song relate closely to the themes and style of the Transformers sequel they represent. The words ‘new divide’ are a meaning from the film, the divide between good and evil i.e. Autobots and Decepticons.
The first line “I remembered black skies, the lightning all around me” is connected to the part of the film where all hope is seemed to be lost as Optimus Prime is killed, with the enemy now surrounding and outnumbering the good guys. Then the rest of the verse after that is talking about the lead actor, saying how fate had chosen him to do what is necessary. The chorus afterwards is about the leading actor and actress, about how he has to show or prove something to her “Let the floods cross the distance in your eyes”. We can identify a love interest as well because of the next verse saying “And your voice was all I heard that I get what I deserve”, he hears her voice as the world crumbles around them, and as the leading actor dies close to the end to prove himself worthy.
The video fits with the lyrics and music of the song because the camera shots, edits and cut transactions are in-pace with the music. This is clearly seen at 0:19 when the music ‘erupts’ as the drummer, bass and guitar players start- meanwhile you visually see a robot explode from the screen which then quickly blurs and merges the shot into another robot transforming into a car towards the camera. This fast and successive editing relate back to the metal music genre of ‘explosive music’ and style of the actual film, because
When the lyrics start at 0:37 with the words “I remember black skies”, the singer Chester is surrounded in darkness with only this blue flame effect to show his presence, linking the visuals to the lyrics. This texture-map style of editing is effective and gradually progresses to see his face clearly, and remains as a theme throughout the entire video. It is like he is the flame which is reborn to show new hope, a theme of the movie it represents.
The other two stereotype groups are Heroes and Villains, portrayed as Autobots and Decepticons. The film clips display lots of fighting between the two sides; with Decepticons destroying buildings and firing explosions, while the Autobots are seen as more caring and emotional heroes- so as to show the divide between good and evil. This can be clearly seen at 2:30, where a black, spiky red-eyed Decepticon reaches towards the screen- in contrast with 0:40, where the close-up of a yellow Autobot shows him looking worried and caring. This Good vs. Evil view is a common Transformers theme and clearly represents the stereotype hero versus villain storyline.
Camera shot, Editing and Lighting
At 0:4, you can see these ‘sound waves’ which are in line with the synchronizer, expanding and contracting to the music’s loudness and beat. The Edit then merges with the sound waves ‘transforming’ into a mid shot of
From 0:22 to 0:26, the build-up of the music pace is accompanied with mid shots of each band member. They use smoke, bright lights and blurred rotating effects to increase the action and link it back to the genre of the film or fast-paced action sequences.
Between 0:26 and 0:32, the visual transitions are made up of blending and merging between film clips and the band playing, with this blurred effect being left behind as ‘visual residue’. This is intertextual theme with the Transformers movies, as technology is ‘revolting’ against humans.
The video heavily uses thermal imaging cameras, with the colour in either red or blue at certain moments. The camera shots and angles during these moments are extreme close-ups, so you can see them singing, and it puts more emphasis on the band because they stand out from the darkness behind. This is also intertextual to the first film because one of the robots views everything through a thermal-image screen, and so these shots are like the Transformer watching the band playing- because you can see them in background of the set.
Finally at the end of the video, the last shot we see of Chester is him with his arms reaching up into the air, which then cuts to a flying shot of a Transformer doing exactly the same thing. His image matches with the robots' and drawing that comparison that these two species aren't really that different from each other, as proven in the film.
No comments:
Post a Comment